Modular EnvironmentBCT13021 - GA1A03

Modular Environment

So when we got the Modular environment Summative I immediately thought of a Sci fi run down environment or a destroyed space station. Since the environment and the particle effect assignments work in conjunction I had a lot to think about in terms of these thing working together. With that idea in mind it also gave me a thought of using particle effects such as sparks and smoke effect to make the scene come to life. I first started to look at run down environments like ancient ruins, space stations etc. I found these images quite useful but some just weren’t what I was looking for. What I was going for was kind of like an environment from the game Mass Effect produced by Bio Ware. So I searched images from the Mass Effect games which turned out great. A lot of useful references images came up and they were pretty much what I’d been hoping for. From there on I went and drew up a few blue prints as concepts for different layouts of the scene.

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As I starting building the pieces to my environment I came across a lot of issues such as making sure the pieces snap to grid, also making the corner piece they were the most challenging things to model. It took me a while to get these pieces together but I managed to get some help from fellow class mates who taught me a few tricks which helped a lot. When it came to the floor tiles I was thinking more about what texture to use more than anything, especially when we needed at least 4 texture variables.  There were also some issues where my pieces weren’t snapping to one another which caused a lot of problems and I was worried that I’d have to do everything again.  At one point I had miss read the Brief and didn’t create the window assets as separate piece which I then had to go back and build. This wasn’t that difficult but it was very time consuming having to start it again.

Using textures and finding textures that suit the theme of the environment wasn’t too difficult but in saying this I do having trouble with UV mapping and everything to, diffuse and specular maps. So I tried using a programme called Algorithmic Substance Designer. This programme is quite easy to use and very helpful.  Using the Sci Fi Mood Boards I complied I used that reference to find a suitable texture of my set pieces. There were some tiling issues with the textures that I had to go back and sort through making sure everything was tiling correctly, also going over my models making sure the UV’s are correct.

Here are a few Renders in Maya (WIP) at this stage:

 Three different wall textures

 Main Door

 Corner Piece

Hallway/Entrance

 Final 

So here are a few screen shots of the final product, it was a shame that I didn't have more time to make more models than the one required in the brief would have made the level so much better. But in saying that it turned out quite well, also I was having issues with the particle system in UDK so unfortunately I had to make the particle effect inside of Cry Engine. The particle effect is of a spark that was originally going to be placed by the doors giving the effect of them being breached or broken. But the environment in my opinion was a success. The reason I had to make these in different engines (the particle and environment) was due to some issues Cry Engine had with importing textures, so I had to build the environment using UDK. That was the only major issue with the importing side of things.

SCREENSHOTS

The level I built was more for an Interior level, not a lot of  outside viewing but I added some in there anyway.

PARTICLE EFFECT

This is the particle effect of a spark in Cry Engine, again sadly disappointed I couldn't solve those issues I was having but in the end i still made a good particle effect that would have looked amazing in the level.

GA1A01 Submission Four-Final Submission

The piece of work I have chosen to submit is a completely different medium than what I have done in the past. I thought a lot about what I was going to submit whether it was a drawing or a painting, in the end I thought a sculpture would be better to show my understanding of shape, form and anatomy. This Sculpture was done during a week-long lesson with Craig Campbell an amazing sculptor from Weta.

The lessons and information through life drawing has strengthened my understanding of anatomy throughout the year. In the piece you can see a clear understanding of structure in the face. The most challenging part of the process was the eyes, because they are so small it was hard to mold and form the dimensions of the eye. Also the eyes are what give a sculpture emotion and feeling; which put a lot of pressure on me to get the eyes perfect. Originally I wanted to make a human skull but the end product was something entirely different.  In the end I wanted to make something different so I decided to sculpt an Orc. I used a few reference images as a base for my sculpture and then drifted off into my own thing.  

Throughout the process of this year I have learnt more fundamentals of Traditional Art. This process has helped me understand more about composition, spacing, lighting, value, form etc. Now through going through this process of critiquing my own work I have developed a sense of artist analysis of my work. I now notice things that do and don’t work a lot more and it is quite shocking to how much I can point out within my own work. This process was a huge learning curb for me and something that I’ll continue to do in future art work.